As an emerging artist a lot of the plans I have laid out for my time here at the ABRS involve challenging my comfort zone. There are a lot of new experiments and experiences, and as exciting as that is, it can also be a bit scary. Additionally, despite the positive anticipation I have had leading up to this spring, I have also been juggling some grief and transition in my personal and professional life. For the purposes of shedding professional sugar-coating and being real, I’m going to admit that as a result, the preparation for my transition to this new studio environment looked a little bit more like this than I would have liked:
Sources: waitbutwhy.com & toothpastefordinner.com
(for an in-depth and relatable analysis of the procrastinator’s mind I recommend taking a look at Tim Urban’s brilliant blog post on the subject here http://waitbutwhy.com/2013/10/why-procrastinators-procrastinate.html)
BUT- despite the initial panic of moving my studio and setting up, I am truly grateful to say that my first week here went, well, really well! I got by with a little help from my friends & many, many, many cups of tea. The following are a few snapshots of the week as it unfolded:
1. Setting Up a Creative Space
“Beauty’s light comes up slowly and shyly along the edges of limitation, confusion, anxiety and helplessness…a spirit and atmosphere of graciousness often emerges when the human heart reaches into its own nobility and allows the destructive reaction to disappointment and hurt to open into something more healing and creative.” -John O’Donohue
2. First Open-Studio night
There were six people that came by on Thursday for open studio. It was a quiet but dynamic and diverse group- an excellent starting point for the weeks to come.
3. “Between Us”
One great thing about being on campus is it allowed us to easily investigate & appreciate the nearby UofA BFA graduation exhibit, “Between Us”. All in all, congrats class of 2017, you put on a great show!
I’m not going to dig too deeply into this today (though I would like to in the future, there were some really powerful pieces!), but I will briefly highlight a couple works that really caught my eye.
“during a recent trip to the drug store the cashier asked if I was doing okay on account of what I was purchasing”…
This piece hit me right in the gut. Kind of reminiscent of Jenny Holzer, whose work has been known to do the same…She too has worked with bold text to bring small, intimate, vulnerable moments or thoughts right “up in your face”. It is just so simple yet painfully real.
For this piece, the text was screen-printed onto the shower curtain with a water-based ink. McInnis then showered using the curtain, and filmed the process which was then projected back onto the curtain for the installation. So many luscious layers of significance in all this.
In his artist statement he writes:
“I seek to transform relatively inconsequential personal anecdotes into ambiguous, emotionally-charged narratives. In doing so, I am attempting to navigate the tension between a desire to withdraw in the when confronted with shame and guilt, and the necessity of being visible in order to participate in contemporary society.”
Definitely going to be chatting more with this artist.
In this series artist Mitchell Chalifoux recreated classically masculine garments with knit yarn, working to reclaim femininity & feminist masculinities. He writes:
“My work is a search for new masculinities. I use vulnerability and self-criticality of my identity as a way to build emotional awareness, self-support, and tenderness for others and myself. I place my self and my body in scenes of scrutiny where I can question my own privileged position, while being aware of its faults, and support it in new productive ways.”
It was awesome to see another artist working with fibre to explore themes of vulnerability and identity, but in a completely different way from myself.
4. Settling into some quiet studio time
All in all I feel like the week has set me off to a good start and I am feeling enthusiastic about the research and events to come.
This String Portrait Project is supported by the Edmonton Arts Council and the City of Edmonton.
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